Angel’s existence is given shape by the tension between the pull of dark events of his past and the persistent belief that redemption is possible through his present actions. Joss Whedon, on alfombrasredemption and AngelThe idea of the show was redemption, and what it takes to win back a life when you’ve misused yours terribly. It’s gone through a lot of different permutations. A lot of characters and styles. But ultimately that has never left. Angel, to me, is so important, because it’s about how a person faces what they’ve done with their life, goes forward with it, overcomes it. These are things that have a great deal of meaning to me. Plus, awesome fights. And, you know, if I have any message for Americans, it’s that you can solve problems through fisticuffs.In BTVS, Angel is an odd paradox: a vampire with a soul. These two versions include “Angel”, the soulful man with aalfombras wish to make amends, and “Angelus” the demon-vampire with no soul, no remorse and a passion for destruction and evil.

 

We took a closer at the BTVS phenomenon and examined its characters and episodes and read interviews by Joss Whedon. Furthermore, we discovered a surprisingly large corpus of serious scholarship on BTVS. In addition to numerous essays in the New York Times, The Onion, and Slate magazines, BTVS has also inspired international conferences, academic journals and books, and countless media studies courses (c.f. Appelo, 1990; Early, 2001; Owen, 1999; Robinson, 2001; Taylor, 2002).
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